Of the many great things at which Italians excel – design, craftsmanship, all things aesthetic, to name a few – most Italians will admit that cooperation is not among them.
But, that did not prevent a varied collection of Veneto wine producers and their respective consortiums from delivering a brilliant presentation demonstrating the depth and breadth of the region’s wine and food culture at United Wines of Veneto Food & Wine Master Class, December 2nd, in New York City.
Moderated by the inimitable Gloria Maroti Frazee, Director of Video and Education, Wine Spectator, the event was held under the auspices of Consorzio Vini Veneti, a sort consortium of consortiums, if you will. (Note: Italy’s wine consortiums protect and promote the quality of wine and wine production in their specific territories.)
A land of ancient wine tradition, Veneto is also one of Italy’s foremost wine producing regions and home to some of Italy’s most important wines. You likely already recognize at least some of the Veneto wine brands such as Prosecco or Amarone. But, there are too, other perhaps lesser known brands that contribute to Veneto’s rich wine tradition. And, whether famous or less famous, the wines all have a unique story to tell:
Prosecco Superiore D.O.C.G.
You may have a bit of a challenge saying Conegliano Valdobbiadene … but I assure you that any effort will be worth the pleasure of tasting the elegant, fresh wines from the steep hillsides of this Prosecco Superiore denomination in Italy’s northeast.
(Tip: actually, you can just ask your retailer for Prosecco Superiore.)
For its production of high quality Prosecco, the hilly area between the towns of Conegliano and Valdobbiadene 50km or so from Venice in the province of Treviso was awarded D.O.C.G. status in summer 2009, becoming a controlled and guaranteed appellation producing one of Italy’s premium class wines.
Prosecco Superiore is made from a minimum 85% of Glera grapes with a maximum 15% of other indigenous varietals such as Verdiso, Bianchetta, Perera, Chardonnay, Pinot.
At table, the Prosecco Superiore wines proved especially wonderful, cleaning the palate with each sip, preparing the mouth to fully taste the next bite of food.
The trio of wines Prosecco Superiore D.O.C.G. wines were intensely aromatic with clear notes of fruit, scents of flowers, showed complexity along with fine, silky perlage and strong identity.
Valdobbiadene D.O.C.G. Superiore Di Cartizze Brut Vigna La Rivetta (Villa Sandi)
Valdobbiadene D.O.C.G. Prosecco Superiore Millesimato (Mionetto USA)
Valdobbiadene D.O.C.G. Prosecco Superiore Extra Dry (Astoria)
Soave Classico D.O.C.
If ever there was a wine for the entire meal, Soave is likely it. From appetizer to dessert, Soave wines complimented every course.
The Soave Classico designation is restricted to Soave wines produced in the volcanic soils around the municipalities of Soave and Monteforte.
The main varietal used in production of Soave Classico is Garganega, minimum 80%, I believe, with allowable addition of Trebbiano di Soave. Garganega contributes structure and density and as Garganega is not overly acidic, the lively Trebbiano di Soave when added can bring a certain tangy verve to the blend.
While true that Soave wines can be cellar aged for ten or so years in good vintages, it was noted by Arturo Stocchetti, President of Consorzio Soave, that it is, in fact, youthful, ready to drink Soave wines that more represent the territory and Soave identity.
The group of Soave Classico D.O.C. wines were all well-structured with ripe, focused fruit, delicate floral / almond scents, and mineral notes. Supple in the mouth, the wines showed finesse and were wildly pleasant to drink, bringing pleasure to each food course.
Soave Classico D.O.C. “Monte De Toni” 2014 (I Stefanini)
Soave Classico D.O.C. “Pressoni” 2013 (Cantina Del Castello)
Soave Classico D.O.C. “Casette Foscarin” 2012 (Monte Tondo)
Lugana production territory is to be found in the southern part of Lake Garda, a plain area with clay based, limestone rich soil. Director of Consorzio Lugana, Carlo Veronese, notes that the more the clay, the better the Lugana wine.
It is Turbiana that is the principal varietal in Lugana wines, not less than 90% being required. The remaining 10% allows additions of Trebbiano di Lugana, Garganega, or Chardonnay, however, many producers opt to use 100% Turbiana. Direttore Veronese explained that Turbiana, in fact, “…is twin brother to Verdicchio from the Marche.” Apparently, the scientific testing has proven DNA is the same.
Immensely aromatic, Lugana wines are meant to be enjoyed young and fresh. The wines typically have a big presence in the mouth although the alcohol is relatively low at ~ 13%.
The threesome of Lugana D.O.C. wines were delicately scented with alluring notes of spice, showed lip-smacking freshness with excellent balance of acidity and sweetness. The wines were great companions to the day’s food courses.
Lugana D.O.C. 2014 (Ca’ Lojera)
Lugana Riserva D.O.C. “Le Coete” 2014 (Otella)
Lugana D.O.C. “Mandolara” 2014 (Le Morette)
If you’re old enough to remember the Bardolino of 15 or even 10 years ago, you are in for a pleasant surprise: Bardolino has a new personality, one that is lighter, more elegant, more closely resembling Pinot Noir or Beaujolais Village in style and weight. Franco Christoforreti, Consorzio Bardolino President, notes that the new style Chiaretto debuted in 2014 is closer to what one might find in France, and not at all like a Cerasuolo from south Italy.
Bardolino’s production area can be found along the Verona side southern quadrant of Lake Garda. The territory’s glacial soil is high in sodium conferring a certain salinity to the wines. I’m told that Bardolino summers are not too hot, neither is winter too hard. In fact, says Mr. Christoforreti, so unique is the area’s northern Italian micro climate that lemon trees are notably grown in the region.
Grape varietals used in the production of Bardolino wines are prominently Corvino, Corvinone, with allowable additions of Rondinella and Monlinara, although I understand from Mr. Christoforetti that Molinara is rather disappearing from use.
The Chiaretto offers a really different perspective as the wine is not a white nor a red, and different still from Valpolicella wines, showing a great counterpoint to Amarone, as was pointed out by Mr. Christoforetti.
Generally speaking, Bardolino wines can be consumed from one year after production up to perhaps five or six years.
Worth mentioning, too, is that the super fresh bouquet of Chiaretto can, in a good way, be closer to that of a white wine than a red.
The Bardolino D.O.C. wines were vibrant with freshness, fruity, with notes of spice, and a rather typical pleasant bitter note, showing impeccable balance.
Bardolino Chiaretto Classico D.O.C. 2014 (Delibori)
Bardolino Chiaretto Classico D.O.C. “Vigne Alte” 2014 (Zeni)
Bardolino Classico D.O.C.”Vigne Morlongo” 2013 (Villabella)
Valpolicella Ripasso and Amarone, wines generally recognized as styles of Valpolicella, are produced in the Veneto on land located on the northern side of Verona.
The speaker for Valpolicella, one Mr. Vicenzi, I believe, explained that the contour of the land is one of “…several hills, like a hand, and in between fingers, some valleys.” An apropos description of the region’s fan shaped territory formed by a series of valleys and hills that originate in Verona and develop northward.
Varietal protagonists in use in Valpolicella, as in Bardolino, are Corvina, Corvinone, Rondinella, and Molinara.
Legend suggests that Valpolicella, one of Italy’s oldest wine regions, may derive its name from the Latin Vallis-polis-cellae …. meaning “land of many cellars”.
Valpolicella Ripasso has affectionately yet unfairly been compared at times to one of Italy’s most important wines, Amarone, being called “baby Amarone”. A wine with a strong identity of its own, Valpolicella Ripasso is today getting its due, as market popularity and recognition for this wine is on the upswing.
Food-wise, the Ripasso and Amarone wines suggest a pairing with more important dishes and work especially well with winter courses.
Valpolicella D.O.C. wines were lavish and rich on the nose, dark cherry, chocolate and warm spice, sensuously round, silky and warm in the mouth, generously long on the finish.
Valpolicella Ripasso D.O.C. Superiore Rocca Sveva 2011 (Cantina di Soave)
Amarone Della Valpolicella Classico D.O.C. 2008 (Villabella)
All in all, United Wines of Veneto Food & Wine Master Class highlighted the remarkable diversity and quality of Veneto wines. No matter what one’s wine preferences may be, among the wines of Veneto there is, simply put, something for every wine lover. And while there exists a certain shared identity across the flight of wines, each D.O.C./G. presented wines of originality and great typicity. Veneto’s wines showed their prowess at table, too, being wines very much about food pairing, allowing food to remain center stage, and making clear the link between the region’s wine and culinary traditions.
To end without making note of Gloria Maroti Frazee’s excellent work in moderating the Food & Wine Master Class would be remiss. Additionally, applause for the Del Posto team … service and food courses were impeccable. Finally, at an event where a million things could have gone wrong, flawless execution from team IEEM made it a first class food and wine education affair.
Ciaoooo for now … 🙂