All Aboard: Ciù Ciù

The somewhat unfamiliar denominations of (Rosso) Piceno DOC and Marche IGT undoubtedly present a an upstream paddle in terms of consumer recognition for a couple memorable Italian wines I tasted recently.

The producer name Ciù Ciù – yep, like the train sound – on the other hand, may issue enough memory-provoking power to generate eons of consumer recall.

Ciù Ciù, a family run winery located in Italy’s Marche, works with indigenous red varieties Montepulciano, Sangiovese and Lacrima, as well as international grapes Cabernet Sauvignon and Merlot. Ciù Ciù also has a white wine catalog based on the likes of home team white grape varieties such as Passerina, Verdicchio, Pecorino, and Trebbiano, and a couple of the usual white international grape suspects. The estate’s red and white varieties also lend their particular respective talents to Ciù Ciù’s rose and sparkling bottlings.

Interestingly, Ciù Ciù’s press sheet indicates that winery is vegan certified. From the 2014 vintage, the press sheet states, their wines bear the Vegan logo on the back label, indicating that the wines are suitable for vegans. The certification warranties that during the entire production cycle no ingredients, agents, manufacturing related products, etc., of animal origin or tested on animals are used. Nor does the winery use Genetically Modified Organisms (GMOs), according to the press sheet.

Ciù Ciù also carries an organic certification. Again, according to the press sheet, the “…protocol excludes the use of artificial chemical fertilizers, pesticides, fungicides and herbicides and rely on low yield per acre as well as on ripening curves to establish the right harvest time. Through a strong use of the “cold” technology, we manage to keep our grapes healthy and can avoid adding sulfites until the very end bottling process.”

The certifications are good stuff, providing the wines are, well, something to write about.

And they are.

I put a couple of bottles (note: received as samples) through their paces in a technical tasting and at table.

Ciù Ciù’s Bacchus, a bottling under the Piceno DOC, is simply joyous, full of harmony, and performs exceedingly well at table. A blend of Montepulciano and Sangiovese, the wine is full-bodied enough for cheesy eggplant parmigiana, yet, the wine’s gentle tannins pair well with more delicate food plates as well. Bonus: it’s affordable. The kind of wine one wishes retail shops would make more broadly available.

The winery’s Oppidum, a deep, voluptuous red produced as Marche IGT Rosso, is lush with layers of ripe black cherry, herb, coffee, cigar smoke, and cocoa. Finishes with rich, sweet tannins and a savory lick of salty minerality. 100% Montepulciano, 30% of the wine is aged in barriques, 70% in 10 HL barrels.

Three Attention-Grabbing Wines from Castello Gabiano

One of the most interesting wines that have come my way of late hails from one of Italy’s smallest DOCs. Indeed, some sources note Gabiano DOC as Italy’s smallest, in fact.

Castello Gabiano’s “A Matilde Giustiniani”, a wine dedicated to Princess Matilde Giustiniani, who last century restored the castle to its former glory, communicates with emotion and personality. The wine is 95% Barbera with 5% addition of Freisa, and speaks in a language of ripe dark berry fruit with notes of spice and baker’s chocolate. The wine is soft in the mouth, with impressively supple tannins and a finish that is in no hurry to leave you.

Gabiano’s Barbera d’Asti “La Braja”, perhaps a more typical Barbera, is a wine that brings enjoyment and interest to the dinner table on any given evening. The massively food friendly “La Braja” is produced from 100% Barbera grapes and is given refining time 60% in cement and 40% in big wood. La Braja showed notes of fresh red fruit with hints of spice and tobacco, and over the course of a couple evenings, never once lost its fine balance.

“Il Ruvo”, Gabiano’s Grignolino that is produced under the Grignolino del Monferrato Casalese DOC, is an absolute gem. Made with 100% Grignolino, one of Italy’s excellent though less well-known native grape varieties, Il Ruvo is a lighter red that weighs in big with complex aromatics and flavor. It can be a great pairing for everything from blue fish to poultry to cured meats and cheeses, one reason that if I were headed out for a romantic picnic, I would be packing this bottle along in the picnic basket.
Not as widely available as an interested consumer might like, however, you can use winesearcher.com or similar to get a handle on where to locate these wines.

Note: wines provided as samples.

Getting to Know Prosecco Col Fondo

Although the bubbly libation from Italy’s Veneto known as Prosecco has been steadily rising in popularity among consumers, you may not yet have had occasion to meet Prosecco Col Fondo, a frizzante style of Prosecco that is winning fans of its own.

Prosecco Col Fondo stands apart from Prosecco wines produced using the more widely adopted Charmat method, as good as they are, not only for its unique flavor and aromatic profile, but also for its particular method of production.

Col fondo means ‘with sediment’ …. that is to say, Prosecco Col Fondo is bottled on its own yeasts, i.e., sur-lie, undergoing a second fermentation in bottle. Yeasts consume sugars, slowly creating carbon dioxide gas and … voilà… bubbles. Spent yeasts remain in bottle, a part of col fondo goodness. The result is an intense, complex Prosecco with a decidedly unique personality.

(Charmat method fermentation is carried out in stainless steel tank, leaving spent yeasts behind.)

It has been said that col fondo is a process likely discovered by chance as sugars from still-bottled Prosecco unexpectedly caused second fermentation while resting in the cellar. That may or may not be, but no matter. In any case, col fondo is reflective of an important piece of Prosecco tradition and culture, linked to a time before modern Charmat became the most popular method of production in the territory.

Prosecco Col Fondo

To be clear, Prosecco Col Fondo provides a different sensory experience than does Charmat produced Prosecco. If you’re used to the extreme clarity of the latter, don’t be surprised by the beautifully pale Prosecco Col Fondo, resulting from its retention of sediment in bottle.

Do expect from Prosecco Col Fondo complexity and exquisite texture, notes of bread crust, yeast, ripe fruit and bright acidity.

As is true of Prosecco in general, Prosecco Col Fondo is not just for celebratory quaffing. Speaking broadly, Proseccos are great food wines, cleaning the palate, leaving it refreshed and ready to fully taste next bites.

Prosecco Col Fondo

Food pairing … enjoy Prosecco Col Fondo with anything from gourmet burgers to pasta with prosciutto, peas and cream, to fish, to spicy Asian cuisine.

To be clear, I am not suggesting that you transition from drinking DOCG Charmat produced Prosecco to Prosecco Col Fondo. Rather, I am pointing out that Prosecco Col Fondo is a style of Prosecco to be appreciated and enjoyed from time to time, one that can that can bring depth to the Prosecco experience.

By the way, interesting tasting tips on enjoying Prosecco Col Fondo include this one, found on the company website of producer Malibràn:

“FOR A BETTER TASTING
Before the tasting ,the Sur-lie should rest for a few days, in a vertical position, so that yeasts can fall down to the bottle’s bottom; it should be poured into a decanter and we suggest pouring the remainings yeasts into a glass, so that you can have a taste of the prosecco’s heart, the heady refermentation scent and the memory of a past that still lives in the moderns sparkling’s making process technologies.”

Still other producers recommend gently turning bottle upside down and then right side up to disperse the sediment.

Perhaps there is a good opportunity here for a self-directed educational experience … buy two bottles and try it both ways.

A Few Notable Small Producers Offering Prosecco Col Fondo:

Bele Casel
Ca’ dei Zago
Malibràn

Chianti Classico NYC 2015: Cement and Me

Chianti Classico NYC 2015: Cement and Me

At yesterday’s Chianti Classico 2015 wine event in NYC, I was able to confirm something that I have long suspected about myself:

I’m a bit of a cement head.

You can take that to mean that I appreciate – and indeed at times adore – wines vinified or aged in cement.

Which, I guess, leads one to wonder what the heck is so special about wines raised in cement anyway?

bibbiano-chianti-classico-event-nyc-2015With a little digging, I was able to gather a couple of insights which make sense to me:

Cement (using the term interchangeably with concrete) fermentation vessels, I’m told, manage to keep a very consistent temperature. And as we know, that is a very good thing. Fluctuating temperature does not reside on the top ten list of things good for wine ;-).

Consequently, fermentation in cement is slow and gradual and that can mean a tendency toward vibrancy of fruit, clean, pure flavors and a marked degree of freshness.

The porosity of cement, too, according to sources, enables the wine to breathe, allowing the wine to evolve in a favorable way, preserving the expressive aspects of fruit, softening tannins, etc., and thus making cement a viable format for ageing as well.

Based on my appreciation of cement raised wines, I won’t argue.

castello-la-leccia-chianti-classico-event-nyc-2015Cement-raised wines often strike me as having a certain richness of mouthfeel which, for me, is important: holding wine in one’s mouth is such an intimate experience that the sensation of doing so should be pleasing in its own right.

At yesterday’s Chianti Classico event, during the walk around tasting segment, the wines of producers Bibbiano and Castello La Leccia captured my tasting attention. I wasn’t entirely surprised to learn that both producers utilize cement in raising their Chianti Classico wines which, by the way, were showing beautifully. And though not present at the event, I’ll mention here too the Chianti Classico of producer Monteraponi, another fine example of cement raising and a wine of which I’ve long been a fan.

Francesco Daddi of Castello La Leccia helped me to understand, too, that cement fermentation vessels, tanks, etc., can also provide a few challenges on the production side of the house: they are not the easiest things in the world to clean and maintain. And they can be heavy, as one might imagine, and thus difficult to transport.

To be clear, I am not here to say that cement as part of the vinification / ageing regimen alone churns out gorgeous wines. Only that I’m learning that cement can bring something to the finished wine that is attractive to my palate. And perhaps, too – still learning here – that Sangiovese seems to respond beautifully to its time in cement.